Nature abhors the vacuum

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This collection brings together large-scale works in coloured pencil and oil paint on canvas or panel. The images move between wide horizons and intimate, close-up details: landscapes that function as memory images of time spent along the way. 

A sensitivity to the underlying fabric of the living world—root systems, veins, and canopy structures—grows from a deep conviction: anyone who entrusts themselves to the landscape discovers that true emptiness does not exist. As Aristotle suggested: 'nature abhors the vacuum'. Everything is connected; everything bears the traces of something else.

This idea—that no void is permitted in the living world—lies at the heart of the work. The forest emerges as a breathing whole: a space in which every line forms a connection and every colour resonates as an echo. Within these works, this principle becomes visible—unfolded, deciphered, and made tangible.